The play position is preserved, causing smooth playback of the waveform and respecting scheduled Follow Actions. The time ruler below the waveform will change to show the accurate amount of seconds in the waveform. It is now possible to fold/unfold a track's additional automation lanes with the left/right arrow keys when that track's main automation lane is selected. When reaching the end when navigating with the "Tab"/"Shift"+"Tab" or Arrow Up/Down keys while renaming tracks or clips in the Session or Arrangement View, the navigation now cycles to the beginning or end of the tracks or clips, similar to using "Tab"/"Shift"+"Tab" when renaming scenes. Pressing "Tab"/"Shift"+"Tab" while renaming an Arrangement clip now selects the next/previous clip on the same track or take lane. Before, this was only possible when track headers were selected. It is now possible to solo tracks with the "S" key and arm tracks with the "C" key when take lane headers or automation lane headers are selected. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.Ĭreated in collaboration with Spitfire Audio, these three Instrument Packs bring the dynamic chamber ensemble textures to any production. Scene Follow Actions let you create evolving arrangements. Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.ĭefine ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.įollow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips.
Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself. Randomize the state of your Macros with the randomization button. Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.Ĭonfigure your Racks to have between 1 and 16 Macros. When you DJ, you can even turn Live into a tempo-synced FX box. Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.Ĭreate jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.
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Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.īreaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Hybrid Reverb combines convolution and algorithmic reverbs. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances. MPE stands for MIDI Polyphonic Expression. Add subtle expression variations, morph between chords and create evolving sonic textures. Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. Link two or more tracks to edit their content simultaneously.
Or approach sound design in a new way by splicing together random samples from your library. Pick the best moments of each performance and combine them to create your perfect take. Live organizes multiple passes of an audio or MIDI performance into individual takes. And get the unlimited potential of Max for Live, seamlessly built in. Do even more away from the computer with Push. Stay in the flow with a multitude of workflow improvements.
Create bolder sounds with Live’s new devices.
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